This frees your FW port up for your interface. The vast majority don't need more that a couple 2 TB drives. I'm really running just about problem-free in Logic as far as my audio recording and samples go.As mentioned above, the optical swap really does make the iMac viable for 99% of the folks out there.
#Imac pro vs imac i7 music mac
This was probably the biggest improvement I saw when I upgraded from an older iMac to a Mac Pro.
#Imac pro vs imac i7 music pro
With a Mac Pro you can have up to 4 internal drives on SATA and a ton more via an eSATA connection to external drives, if you get an eSATA PCIe card.
I think the biggest shortcoming with the i7 iMacs (and all other iMacs) is the lack of a SATA connection for additional hard drives.įor recording audio and streaming samples, SATA is really quite superior to FW800. The next generation Mac Pro will likely be released fairly soon. If the iMac turns out to be insufficient, I'll bring in a new tower and start from scratch. By comparison, the iMac is simple and neat, so I can purge my studio of a lot of complexity. My setup with my Mac Pro was also getting progressively complex, with a lot of cables running all over the place like spaghetti. So for me, the iMac 27" which runs perfectly is a breath of fresh air.
But for some reason, this particular computer has always been a handful. Maybe some of the problems, like not waking up from sleep half the time, can be fixed. My Mac Pro crashes a lot and runs hot and loud. If your tower pisses you off that badly.that doesn't bode well, what was the problem?Ehh, I think we're experiencing the same thing but with different machines. I had an iMac 27" for about a month (actually two because of problems, I had to return it) and eventually I just got disheartened with the whole thing and got a refund. But I’m really hoping the iMac works out because it’s such a beautiful beast of a machine. Hell, if it turns out my iMac isn't doing it, I'll go back to a tower. However, if you are going to require several hard drives with simultaneous high performance connections, or if you require the flexibility only a tower can provide, or are willing to pay a premium for what may be an incremental advantage, then you might want to get the tower.
Maybe I’m fooling myself that I don’t need all of that, but wouldn’t it be great if I didn’t? With the iMac i7, it seemed worth a try. The tower, at least mine, can become a growing mess of crap, and you have to add in all the costs of all the stuff you add to it. The iMac is a lot more affordable and clean once you add up all the things you'd have to buy with the Mac Pro. Having validated my existence, it's hard to say. So first of all, I would have to advise you to get the iMac i7 because recommending other people buy what I buy helps me justify my own purchasing decisions, and by extension validates my existence. I haven't really put the iMac through its paces so I can’t really say much about it other than so far, it’s a beautiful beast of a machine. I guess I could always go back to a tower if it didn’t work out – not this one but one that had a bit more juice and made a bit less noise. I have both now, and I’m in the process of migrating my recording to the iMac to see how it goes. I’m not one to get emotional about my equipment, ever, but I started to f*cking hate my Mac f*cking tower. I've been using a tower for a while and I like it for all the usual reasons, expandability, the PCIe slots, extra hard drives, etc.Īt the same, it started to piss me off. I was looking into a symphony system however i heard about the orpheus and ULN-8 and people say they're both better than the ad/da16x'sĪnd both of those are firewire, also i dont plan on using more than 16 tracks ad/da at a time (and only that during drums)Īnother option i was looking into (and sweetwaters convinces me it is great) is the ensemble with an OCX antelope masterclock and a Liquid 4Pre. YMMVim mostly hip-hop and R&B however im going to be recording rock too anywhere from linkin park to slipknot style's, im going to also be doing video editing in final cut thats why i said 2 tb Harddrive, the 16 gb of ram is because im doing 90% in he box mixing and i saw a few video's where using 8gb the track count in logic couldnt go over 38 I'm an ITB mostly MIDI/Electronic guy running Logic 9.1 and I love my 27" i7 (or I will in 3 weeks when they come out with the yellow screen fix). For instance many like to record to a separate drive.ĭo you really need a 2tb hard drive? Do you really need 16 GB? It comes with 4 from Apple (2x2) and two empty slots and it is much cheaper to buy RAM not from Apple Bottom line, do you need expandability? You get one firewire bus, depending upon your needs this might not be enough.
#Imac pro vs imac i7 music full
Are you mostly an ITB electronic musician or a primarily audio guy recording full drums? It really comes down to what you are going to do with it.
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